July 23, 2010
In Search...
May 28, 2010
Meeting a Madman
WHOSE LIFE ARE YOU LIVING?!
How often is it, that we meet people who are classic examples of something?! They are the near-ideal types of a certain stereotype. And what’s better, they even actively justify their position! Consequently, they unabashedly admit to being stuck in a mould, and are very comfortable in their ‘frogs in a well’ condition. Today, this blogger happen to meet one such person!
When it comes to career choices, ‘tradition’ defined success as “qualifying IIT” and “clearing UPSC”. The former meant cracking the uber-tough IIT-JEE, ticket to India’s premier engineering institutes, and latter, becoming an administrator, a somewhat cushy job with official and unofficial perks! This ‘tradition’ still holds VERY true in most parts of this country. Boys [more than girls] are indoctrinated since their tender childhood days to have ‘IIT’ as their target. There are factories set up sleepy towns which unfailingly churn out ‘success stories’ of those who’ve ‘cracked’ it! There are, of course, those who inhabit the periphery and milk moolah from this mania.
Another national hobby is to appear for the awfully famous ‘UPSC’. These set of exams are a window to the almost-good life in INDIA!:P! Not to forget, it surreptitiously authorizes the grooms to demand a hefty dowry in the marriage market. People throng the ‘centres’ of ‘preparation’ in major metros. It has also given rise to a whole industry of ‘coaching classes’ which ‘excel’ in producing ‘toppers’. Everyone’s got their own claim-to-fame students whose passport-size photos are proudly pasted in news-paper advertisements once the final list is announced!
The IIT ‘preparation’ failures lose only about 2-3 years of their early adulthood. The ‘UPSC’ candidates have a bigger window. Their prime is spent in attempting the UPSC and other states’ exams right across till they cross the age limit or finish the stipulated number of attempts. Lucky are those who crack ‘it’ in their first or second attempts. The rest, are…well….just fooling themselves! These ‘traditional’ career choices draw hordes of students to them, in the greed of bettering their life conditions. Very few amongst these are those, who are truly passionate about engineering or being efficient administrators.
The person I met today, is a school teacher in a tier-two capital city. His son qualified for the JEE this year with a rank in the 4900s. He is jubilant! They intend to let him opt for any faculty in the IIT-D campus so that…here’s the big part…he can ‘prepare’ for UPSC!!! [yeah..RIGHT!]
When goaded by the blogger, that once in IIT, it’s a little difficult to devote time for UPSC preps, the teacher replied, “My son is a different kind of a guy. He can study for 17-18 hours. Sometimes, even more. Delhi has better options in terms of coaching classes. And he has very few needs. I am sure he’ll be able to manage. And this is what he wants to do, too.”
He went on to humbly rave about the students he had taught. Their success stories in the nationally dreaded ‘board exams’. How his son is highly ‘obedient’. His children do most of their communication to their mother. “A little bit of “fear” is necessary in the minds of students”. And then, very politely, he exhorted my kid-cousin to study hard, so that he can make it to IIT. [HAH! Like there is no better job to do!] By his own admission, “We still have a traditional mind-set”.
The resort to ‘tradition’ traces its roots to Indians being highly ‘security-conscious’. Risk avoidance is considered an art, taught right from child-birth. Though, a large section of the upper crust is now exposed to other available options, most of the rest still bask in their ability to fit in the mould. We are hence, mainly content consumers and don’t make much contribution in return. Stifling creativity to trade it for ‘assured-jobs’ has many side-effects. The preference for ‘traditional’ choices has spawned a whole murky network of ill-equipped colleges, astronomical tuition and donation fees and a whole range of wheeler-dealers posing as ‘consultants’ for facilitating admission in mofussil colleges.
As soon as the teacher left, this blogger couldn’t help blurting, “HE IS A MAD GUY! HE RUNS A SMALL-TIME FACTORY AND PRIDES IN THE FACT THAT HE IS PRODUCING ASSES!” when said in hindi, this sounds fairly polite!;-)! this, followed by the kid-cousin being assured that he should opt for what HE wants to do, and not what the other so-called well-wishers nee ‘failures’ want him to do. Poor kido, burdened under the unfulfilled dreams of others…not getting to live his own dream!
Disclaimer: this post does not intend to discredit those sincerely passionate students who opt for either of these career choices. it's meant...err...only for the dumb clones!
March 12, 2010
दिल तो बच्चा है जी ...!
March 21, 2007
Almodovarian world...
Volver,set in Pedro Almodovar’s hometown, La Mancha, is a movie where the living and the dead co-exist without problems
PRAGYA TIWARI
(Original : http://pragyatiwari.com/2009/09/28/volver-the-great-almodovar-comeback/)
Volver, Pedro Almodovar's latest venture opens to action which shifts between his hometown of La Mancha and a working class neighbourhood in Madrid but in sooth the film is situated in the sort of Almodovarian world his followers have grown to love over the last two decades - where every room and street corner is saturated with bright color and there is a dash of red in every mis-en-scene alongwith vivid and discordant feelings of violence, pain and love.
With Volver, he abandons the dark terrain of his male-centric films like Live Flesh, Matador and Bad Education to revisit the woman-centered territory of his films like Women On The Verge Of A Nervous Breakdown and All About My Mother.
His women are hearty, self-possesing and compassionate despite the monstrous abuses that plague their lives. They live in a world nearly free from prejudice, luminous and optimistic. He loves his women characters and watches over them like a guardian angel (sometimes literally with top shots), generously handing the film over to his actresses who shoulder its weight almost entirely and easily on their gorgeous shoulders. The film may be reminiscence of the early American Feminist ideas of sisterhood but Almodovar's greatest source of inspiration is clearly his own childhood memories of being brought up by women in a patriarchal and gender-divided world of fascist Spain.
With the years the enfant terrible's films have become more self assured and simpler with lesser intricate parallel plots or flashbacks and more structural niceties. Also missing is the wild overt sexuality of previous films like Tie Me Up, Tie Me Down; but the essential quirkiness that accentuates his work is intact in this film as ever.
The film deals with death in the most natural way treating it as just another human state and liberating it from the clutches of heightened tragedy. The directors violent rebellion against the church is less pronounced but puts in an appearance nonetheless as he indulges the idea of resurrection of body. One of the central characters long thought dead reappears and expresses her desire to color and style her hair before she can elucidate the more mstical reasons for her return.
The plot is full of twists and turns, secrets and mysteries- embroiling cancer, incest, ghosts, murder and the ills of tv. It is often improbable but that is of little concern given that it is merely a tool for the director to get to the heart of his matter- the soul and spirit of women. And in laying bare their soul, he lays bare the soul of Spain through History. In a blink-andmiss shot there are turbines that dot the skyline. Clearly, much has changed in La Mancha from the times of Quixote's windmills, but the essence of the small town- its superstitions and madness are preserved as if from the times of Cervantes.
Volver means coming back and true to its name the film marks the coming back of this unsurpassable Spanish master to his home town, his comedic roots, to Carmen Maura who he casts for the first time after a fallout 16 yrs ago but most importantly to the world of women he has created with his previous films- a world where they survive boisterously balancing reality and romance-The only of its kind where it is always great to be a woman.


