Showing posts with label Events. Show all posts
Showing posts with label Events. Show all posts

March 16, 2020

Gormint: Relationship Status?

The Government of India is Officially in a Situationship with CAA-NRC


The CAA-NRC-NPR matrix has rattled the Indian citizenry out of a stupor against government's steady efforts to further marginalise minorities and deepen the ethnic schism within the nation. Three months since the CAA was passed, rules for its implementation have not been drafted yet. Only recently did the Home Minister stated in Rajya Sabha that the category of “doubtful citizen” will not be included in the NPR. Just six days after this statement, in response to the petitions challenging the CAA, the government filed a counter affidavit justifying its intentions for NRC. 

And what do we make of the nation-wide protests against the CAA-NRC-NPR? Have they managed to transcend into a movement? At the intersections of this state-citizen logjam lie the various women-led sit-in protests across the country, foremost being the one at Shaheen Bagh in Delhi that has completed three months. 


In that vein, Mumbai Bagh is going strong on its 50th day and some aspects are hard to miss. For a majority of the women who have actively participated in the sit-in, it has been a unique experience in transcending from the private sphere to an exceptionally public one and turning their personal into political. As I walked into the site today, what struck me was the clear lack of obstruction by police. No table parked in the narrow alleyway to generally hamper movement. No uniformed police personnel manning those tables with thick registers, coercing people into entering their personal information before entering the site.


After more than a month of struggle with the weather and police, the women finally managed to get a temporary shed on their heads. Many of them have been subjected to surreptitious queries from plain clothes personnel and some have had the unpleasant experience of having a notice from the police for “unlawful assembly” under CrPC's Sec. 149 delivered to their doorsteps. At the site, the women have found new strength in networks that have ignited their sense of pride, association and assertion of their physical and socio-cultural selves in this 100-mt stretch of a road ironically named “Thandi Sadak” (literally, cold street).

It has grown into a struggle between proudly receiving the notices on site from police, meeting elected representatives to present their case and rushing home in time for “supply” water-related chores. This is as much about claim-making on the State as it is about utilising available “official” mechanisms of asserting citizenship. As the agents of the state actively ignore or malign the protestors, especially on account of their religious and gender identity, it is an act of abjection of their very identity as “Indian” citizens. Amidst all this, our good old patriarchy keeps rearing its ugly head, causing conflicts that are sometimes public and violent but mostly private and restraining.

Young girls, especially the unmarried ones, are warned by their parents to not be “highlighted” by visibly participating through sloganeering and organising allied activities at the site. No one says that it will affect their marriage prospects but that’s going to be an interesting development to track in a few years, or months. Conversations with women across a cross-section of ages revealed their intent of staying at the dharna until CAA is revoked. The big question remains ...क्या ये महिलाएँ धरने से आंदोलन तक का सफ़र तय कर पाएँगे?
Writing on the (Wall) Barricade
Poster for visitors to sign...



"Nationalistic" Iconography


March 12, 2010

Rang BARSE!!!:D!!!

HOLI HAI!!!

Holi is an important marker in the Hindu calendar. Different parts of the country have various significances associated with this date. But, for a kid…it is…simply… The festival of colours!!!

This blogger has tried to be at a different location for Holi every year, for the past couple of years. It always is a pleasant experience because EVERY place has its own unique ‘feel’ of Holi!!! This year, we headed to the famed and haloed campus of the JAWAHARLAL NEHRU UNIVERSITY, New Delhi for being coloured!!!

It was an entirely dry ‘playing’, except for being sprinkled with some water by a young cousin. The festival had a somewhat ‘grown up’ feeling for us this time. It felt great saving a lot of water by not playing wet Holi. Of course, that also meant not having too much of residual colours on the skin!

While heading back home, we shared the auto-rickshaw with a Professor from Poland. He was all ga-ga over the festivities and colours! Someone told him that THIS playing in the campus was ‘civilised’. And he was wondering how would ‘uncivilised’ be then! Well, I gave him ample examples of how rowdy and crude could it get!

In conclusion, we had a nice, short and sweet ‘Holi’. It was truly 'RANG BARSE'...and no 'bheegi chunar'!!! NOTHING beats the Surat experience, though! The options for next year are
already being contemplated!


PS: That guy was a Prof. of Sociology and Anthropology!!! Yes, we had common stuff to talk about !:P!

January 30, 2010

NSD Fest

“Vichitra kintu satya…”

Manav Kaul has earned numerous accolades as a young theatre personality. This blogger wasn’t able to catch any of his productions in Bombay due to distance issues. So when “AISA KEHTE HAIN” was to be staged as a part of the NSD Annual Theatre Fest, I was up on my toes to watch it. Of course, it ain’t as easy as it seems! Luckily, an acquaintance from NSD sneaked us in the theatre before the performance was to be begin, and we stayed put…watching the play from the aisle! To make it better, there was even a short rendezvous with the director after his final rehearsal!


Personally, this blogger found the play just about okay. Individually the threads of the play are identifiable and have a rooting in reality. But what binds these separate threads is a sense of abstractness. And as it is with most works in the abstract, there is no clear theme fathomable!

As Kaul puts it, “The many stories within the play stand independently, strung together by a pliant and subjective thread. Everything is a collage – the little stories, the motley characters, the songs and the main story – all thrown together in a salad bowl. I love salads!” We saw that!

One line which caught the blogger’s attention was addressing of the unknown as “HEY VICHITRA KINTU SATYA!!!” [O…strange but true!]. Interesting!

Also see http://www.mumbaitheatreguide.com/dramas/hindi/24_preview_aisa_kehte_he.asp

August 28, 2009

uber narcissicistic!

प्रियम्वद राधिका!

रंगबिरंगी, खूबसूरत, प्यारी सी
तितली की तरह चंचल सी
एक अनजानी लड़की, अब बन गई है पक्की सहेली
राधिका रानी, जो अब है राधिका दीदी

उछलती, कूदती, levitate करती
एक पक्के मन की लड़की
करती है हर एक काम ...
अपने मन की सुनती

जिसके संग रहकर
मैं मैं हूँ, और वो वो
कोई ढोंग कोई दिखावा
बस अपनापन बिना छलावा l

उम्मीद थी, एक साँवली सी
dungarees और black tee में घूमती यह लड़की
मेरे इतने करीब होगी
वह भी इतनी जल्दी

अब जो हो,
तो मैं खुश हूँ
हमेशा यूँ ही रहना
प्यारी, थोड़े गुस्सेवाली, लाड करती,
vibes-conscious मेरी बहना
जा रही हो कई कि.मी. दूर
पर दिल से जाना
हमें जाने को कहना

आती रहना,
बतियाती रहना
जीवन में जो भी करो ... सफल होना
यही हमारी कामना .. हमेशा खुश रहना!


-कोमल अग्रवाल

this blogger would like to thank the very sweet author of this poem from deep down under. i'll not lie...i'm way beyond the cirro-stratus!!! to Komal...MUAH!!!

May 18, 2008

DD-V

On 22nd evening we went to Purana Quila to watch 1857: EK SAFARNAMA.
The NSD guys were really helpful…they were doling out ODOMOS at the entrance!!!!!
The play was around 2 hours long. Following are a few personal observations and comments about the play.

  • A lot has been said [both unwarranted and the opposite] about Bhanu Athaiya doing the costumes. I’m not joining the debate, but just putting forth my views [eh!].
The fabrics used for each of the characters costumes were absolutely apt, especially the rich silk used for the Indian rulers’ and courtiers’ costumes.
The detailing was very carefully done. Eg. In the Indian darbars…the end of every courtier’s dupatta [or uttariya, or whatever the traditional name is!] was different.
Shrimant Nanasaheb Peshwa’s costume was my favorite because of its gherao, fitting and the churidar effect on the sleeves.

  • The play is a musical, true to the Indian tradition of having a song for every moment. No, the actors are not singing every time! But the act is interspersed with a few well-meaning songs that capture the simmering mood very well, and also help spreading the feeling of nationalism.


  • The scene depicting a show of puppets [kathputlis] accompanied by lyrics meant to arouse a rebellion against the oppressive rulers [British] was played out really well. This is in keeping with the heartland’s entertaining way of conveying a strong message-to people who are basically illiterate- through fun and double entendre lyrics that underlie the need to fight for justice and freedom. Another example of this would be the playing out of Ramlila. Over centuries, this medium has been effectively used to reach out to large audiences and vehemently [but tactfully] convey messages that would otherwise be considered as treason!
The guy who played Tantia Tope… I think… he’s actually a Maharashtrian! Well…his style of speaking [to be carefully observed beyond the delivery of dialogues] gave off a hint of the marathi accent in it!A slight error in delivery happened when one of the female actors in a pre-climax scene said, “…patthar ki lakir hota hai.” Alas…seems like she’d practiced it wrong… or probably it was just nervousness!

The most touching scene was when Bahadur Shah Zafar [after being told that he has been sentenced to Rangoon] woefully rues… “humein apne purkhon ke pyaare zameen mein dafnaane ka mauka nahin milega.” Allah!

Lastly… the ‘first war of independence’ reared its head a full 150 years after the Battle of Plassey. The feeling of inadequacy in terms of communication and organization was a bit palpable through the depictions in this production.
It is startling to know that despite so much of spirit and gusto…the Brits actually managed to still reign on us [and consequently plunder our treasure trove of resources] for a pretty long time. huh!


http://www.indiaenews.com/art-culture/20080419/112308.htm

April 22, 2008

DD-IV

[i can't believe i'm actually doing this.......but yeah....this post is gonna be very sketchy. though, honestly...i'd love to go in the details...but sorry...m too lazy to do that right now!]

21st april... quite an interesting day. met a very dear friend [at around 11am]...and spend 4 hours...talking...talking...and LOADSA talking! didin't realise how time flew away!!!

in the evening....took mom to IHC for a kathak recital. since the entry was free...we reached 50 min.s before the scheduled time. but...no avail! there was a conference going on ....and the guard said tht it'll get over by 6.30pm.... then they'll clean the hall...and THEN entry will begin.

so both us strolled on to other parts of IHC...and reached the Visual Arts Gallery. i got engrossed with their notice board announcing various arty events across the city... some workshops, art camps, etc.
and then...there was this aunty...an army officer's wife who got talking to me. n after some time...i was like...she's so pakau!!! B-U-T...this lady's juz not ready to part! i had to go for my event...she said 'bye'...and still continued to talk!!! FINALLY...mom got me freed from her!!!!!

the show began by 7:15pm. there were 2 female performers [apart frm the musicians, of course]. one of them was learning from a guru for the past 10 years...and the other was a Sri Lankan...learning for the past 5 yrs...frm the same guru.
the difference on years in learning showed in the quality of both the performers. they did 3-4 pieces. i enjoyed watching them. and the best...was saved for the last! they did a "TARAANAA"...which basically showcases the influence of the Mughals on this Indian dance form. these artists changed their costume for the Taraanaa. the performance itself was also VERY beautiful. undoubtedly, it was the show stopper of the evening!!!

every viewing of a kathak recital makes me more inclined towards this beautiful performing art. and it also strengthens my desire to learn it some day!!!

bhaiya had come to IHC to escort us back home! we boarded a DTC and headed back. while walking back from the bus stop...we decided to go to Bikanerwala for sweet-shopping!!!

so we mom till the building and headed to Bikanerwala. firstly...we didn't get and auto...and whenever someone agreed...we didn't agree with the price asked for!
so...ultimately...we ended up reaching Bikanerwala by foot! i guess it's almost 1.5 kms frm home. once there...bhaiya n i had a sumptous dinner! this was followed by some lovely Indian desserts! then we picked up the sweets and left for home.
this time...thankfully...we had walk for just about 00 mt.s and a rick agreed. we reached home at 10 min.s to 11pm. and when mum opened the door.... i jokingly said... "see...we reached before the deadline!!!"

well...there's no official 'deadline', of course!!!

April 21, 2008

DD-III

'twas the usual relaxed sunday. after watching ROADIES 5.0 in the afternoon and having a sumptous lunch of rajma-chawal with dahi ...all of us dozed off.

finally, in the evening...bhaiya and i headed to Purana Quila to find out about the passes for a play that's being staged there. after getting the details we went [by DTC] to Haldiram's South Ext. outlet and digged into some delicious snacks. he had raj kachori with 'blue ocean' [which i think...was one of the colas...blue in colour!]. i had a samosa [i don't even remember the last time i had a haldiram's samosa!] along with sweet lassi.
LIP SMACKING!!!!!

although we wanted to sweet-shopping at their outlet...but there was nothing interesting enough!!!

and then...there was this unexpected call from a delhi friend ...who said that even she's in south ex. along with her bro n a pal. after some confusion about the location, bhaiya n i finally reached where those guys were. after hanging around in the ColorPlus shop and helping her pal decide on his buy we moved out.

next stop was the Sai Baba mandir at Lodhi Road which the other bro wanted to go to. this guy...whose car it was... is a TYPICAL delhi driver!!! GOSH!!!!!!!!! i'm happy nothing untoward happened!
he dropped us at our place....and this evening's masti reached it's desired conclusion!!!

DD-II

The culture vulture spreads it's wings!!!


On 19th evening Mom, Bhaiya n I went for a play by EKJUTE at the IHC [by DTC again!]. It was titled BEGUM JAAN directed by Nadira Zaheer Babbar.


This venture plays out on the theme of social commentary, comparing the golden ages with today’s materialistic pursuits. The elements of humour AND sarcasm have been subtly infused in the dialogues. If one goes on a mental holiday during the performance, too sad for them!


The stage design was very tastefully done. Not too cluttered…with enough space for actors to move around and well set to demarcate various areas of a house.


The background score is apt, except for in some scenes where the music was incongruent. Those, of course, were few and far in between.


Though there were many dialogues that tugged at my heartstrings… there are only a few I’d like to mention here. [b’coz I was too lazy to note down all my favourites…m relying on my memory for a reproduction of some of them]

  • At a point…Begum Jaan poignantly speaks out about her inability to move out of her time warp. She says… “makdi jaalaa saath lekar nahin chalti. Par jaale ke bina reh bhi toh nahin sakti!”
  • When the journo says that he’s needs some time to decide whether he’ll marry Begum’s young granddaughter, she tersely, but thoughtfully says, “apne faisle khud liya karo. Jo faisle waqt leta hai… who kabhi sahi nahin hote!”
  • And THIS is my favourite. Though I’m a champion of independence… I was in splits [as was everyone else in the audience] when she said it. The scene was between granddaughter n Begum Jaan. The former, when being asked by the latter about the scribe-cum-tenant’s background, told that he’s a DIG’s son. But he doesn’t like taking favours from anyone…wants to stand on his own two feet. To this, Begum contemptuously shoots… “aaj-kal ke bachche…maan-baap ka ehsaan nahin lena chahte! Toh unse kaho…paida bhi khud hi se ho jaayein!!!”
The Delhi crowd at such venues is a very refined one. one gets to see a lot of plump couples, salt and pepper hair, immaculately dressed ladies [oh! those classy chiffon sarees!], all the regalia is played out quite well!

PS: i feel REALLY happy when i take mom out for such events. incidentally, i'm the one who's taken her for all the 3 plays that she's seen to date. and co-incidentally...all of them have been EKJUTE's productions!

November 18, 2006

ISF, 2006

The India Social Forum (ISF) 2006 was held at New Delhi from 9th to 13th November. The forum saw a confluence of activists supporting various causes, along with performers from different regions showcasing their art.

The theme for the ISF – “Building Another World: Visions for the Future” – is one that focuses on stimulating dialogue, optimism and hope, by creating a space that will enable a greater mobilisation of resources for an alternative future.

There were activists from ALL kindsa backgrounds out there. From the NBA to feminist organisations to tribal issues… alternative sexualites….u name it…and they were there!

I had loadsa fun at the event… was busy roaming, sloganeering, giving sound bytes, observing, getting clicked, collecting freebies, celeb-spotting, shopping, watching movies….. PHEW!!!!!!!

There were seminars and workshops being held simultaneously across the venue, along with folk performances and street plays. Across the three main days of the Forum, I attended seminars/workshops on issues ranging from “Children’s Sectoral progress with respect to the UN’s Millennium Development Goal”, “Child Marriage and its impact on children”, “Displacement and Children”, “AIDS- Anti Retro Viral for HIV+ve”, “Faces and Vision of Children”, “Environment, Development Displacement”, “Women as Decision-Makers” and “Threats to Higher Education”.

In case u did sense it, these are the causes that I support… namely, Children’s rights, women’s rights and HIV awareness.

It was a common sight for artists (from the traditional Indian ones to African... et al!) to break into jigs at any spot!!!!!!! though, there were also many small stages put up at various corners.....where ALL through the day there were street plays, rendition of folk songs and other such rusticity was on display!

urs truly also sat thru a 70 min play in Gujarati in a musical (kathaageet) format.. outlining 600 yrs of the history of Ahmedabad.

Amongst the docu.s that i saw were....

"Kitte mil ve mahi" - a window onto Dalit aspirations to carve out their own cultural and religious space, filmed in Punjab.

"Bullshit"- on Vandana Shiva... India activist and physicist, campaigns against globalisation, bio-piracy and patenting.

"Delhi - Mumbai - Delhi" - an intimate look into the lives of dance-bar girls, shot against the backdrop of Maharashtra govt.s controversial move to ban them from dancing.

"Seven islands and a Metro" - a tale of my city structured around imaginary debates between Ismat Chughtai and Sadat Hasan Mano, the two legendary writers who lived in this metropolis, etc.!!!

as for the numeorus celebs present out there... i spotted Sunderlal Bahuguna (v. cute!!!), Medha Patkar and many others........whom i have seen and read about.

To conclude, I’d like to say that it was a great learning experience. With stalwarts from various fields all around us, it was an exposure worth it!